On 10 June 2015, the Information & Broadcasting Ministry appointed actor-turned-politician Gajendra Singh Chauhan as the chairman of the Film and Television Institute of India (FTII). Known primarily for his role as Yudhishthira in the hugely popular Mahabharata TV series that aired on Doordarshan, Chauhan’s appointment was met with resistance from the students of the institute. The students have questioned Chauhan’s “creative credentials” and appear to believe that his affinity to the Bharatiya Janata Party (BJP) had led to his selection. This dispute manifested itself into an ongoing strike that has been underway since 12 June. During the latter half of July, Delhi-based senior journalist Monobina Gupta spoke to veteran actor Dhritiman Chaterji over email.Chaterji began his acting career with Satyajit Ray's Pratidwandi. Released in the turbulent Calcutta of 1972, the film and its leading actor became an inherent part of the cinematic consciousness of Bengal. Although he went on to act in several other films, Chaterji also ventured into the world of advertising and worked with Hindustan Thompson Associates—an advertising agency based in Mumbai that later changed its name to JWT India—even as he picked up roles that interested him. He spoke to Gupta about the changing culture of the FTII, the future of Indian cinema and the politicisation of Indian institutions.
Monobina Gupta: The FTII is currently in the midst of a huge controversy over the appointment of Gajendra Chauhan as the institute’s chairperson. How do you interpret the unfolding crisis and what it might mean for the future of training film students in the country?
Dhritiman Chaterji: Well, it’s been about a month and a half now and neither side seems to be willing to back down; so it could be a question of who blinks first. I don’t think the ministry or the government would be in the slightest bit bothered if the FTII shut down, either temporarily or permanently. It is difficult to believe that anyone in the government seriously thought that Chauhan was an appropriate choice, either professionally or ideologically. It was a deliberate provocation designed to provoke exactly the kind of reaction that it has — “Yes we’re insulting you. Swallow it quietly or else…”