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Photo Essay
A look into Adipur’s enduring love for Charlie Chaplin
Film and Television
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Interview
Rajesh Rajamani on how “cinema has conditioned us to see Savarna markers as removed from caste”
Film
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Commentary
How Pa Ranjith’s Kaala changes the way we imagine the city
Pranav Kuttaiah
Film
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Essay
The cinematic myth-making of Louis Mountbatten
Manik Sharma
Film
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Commentary
Why Indian films’ box-office figures do not add up
Suprateek Chatterjee
Film
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Essay
India in early non-fiction film
Uday Bhatia
Film
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The Lede
The unsung wig makers of Bollywood
Roshni Nair
Film
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Profile
What Madhuri Dixit did next
Raja Sen
Film
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Profile
How suffering turned a college lad into a Tamil superstar
Baradwaj Rangan
Film
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Essay
India’s most popular detective now dominates the screen
Raja Sen
Film
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The Lede
What Aida El-Kashef did next
Abhishek Choudhary
Arts
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Essay
What Shankar Nag fandom has to do with the making of and contemporary Kannadiga identity
Sharanya
Film
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Photo Essay
Blood, sweat and tears on the sets of the Telugu film industry
Stefano De Luigi
Arts
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Essay
Why the Raqs Media Collective's practice is more than the sum of its parts
Himanshu Bhagat
Arts
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Essay
The highs and lows of being Piyush Mishra
Akshay Manwani
Arts
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The Lede
Blood-drenched limbs and bodies fill up a studio in Ahmedabad
Mohanakrishnan Haridasan
Film
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Essay
How an actor’s never-ending quest for the perfect role produced a lifetime’s worth of great cinema
Sayandeb Chowdhury
Film
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The Lede
The set of a Mira Nair film transforms a corner of Delhi
Benjamin Siegel
Film
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Essay
On an underground video parlour and the life filmic
Jai Arjun Singh
Film
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Commentary
How the Left left Bengali cinema
Sayandeb Chowdhury
Film
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Essay
Inside the world of an Afghan film star
Taran N Khan
Film
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Essay
Requiem For A Vision
Sharmistha Mohanty
Film
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Essay
As Prakash Jha gears up for the release of Aarakshan, his most controversial political film yet, here is a look back on his repertoire
Trisha Gupta