AT THE VICTORIA & Albert Museum’s Porter Gallery, which is small and intimate, I ended up accidentally trailing an elderly, distinguished-looking gentleman and his young, suavely dressed student. I couldn’t help it; we were attending Light from the Middle East: New Photography, looking at photographs on display in almost exactly the same order. At one point, we were gazing at Israeli artist Tal Shochat’s Persimmon, Pomegranate and Grapefruit—where she applies the conventions of studio portraiture to photographing trees whose leaves and fruit are carefully dusted and polished to a shine.
“Look at the pomegranate,” said the gentleman.
His young friend obediently furrowed his brows.
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