People of Clay

A personal exploration of Goalpariya culture

01 June 2018
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ONE IS NEVER FAR FROM THE BRAHMAPUTRA when in western Assam. On a subcontinent where rivers are personified as female progeny of the gods, the “son of Brahma” is an exception. The river floods seasonally, unforgiving and capricious in its course. The people closest to him live in perpetual fear of his trajectory, and he occupies a central place in the region’s songs and mythology.

In one legend, a woman named Behula accompanies the corpse of her husband, Lakshmindara, on a raft down the Brahmaputra—popular belief in eastern India holds that a person killed by snakebite should be set afloat on the river. The raft passes several hamlets while the corpse swells and putrefies. Onlookers assume that Behula is mad, but she cannot be dissuaded. “Either I shall die with him or he will come to life and I shall be beside him when he does,” she declares. Behula prays to Manasa—the goddess of snakes—who, the story goes, ensures that the raft survives whirlpools and crocodile attacks. Behula’s perseverance is rewarded when Manasa brings Lakshmindara back to life.

Akshay Mahajan is a Goa-based photographer. His practice is structured around problems of identity in the postcolonial world.

Keywords: Bengal Assam Brahmaputra Goalpariya